For the past 4 years, I’ve had the pleasure of contributing to a wide range of natural history productions in different and challenging environments all over the world. From landmark series like BBC’s Blue Planet III and Netflix’s Our Planet 2 to the immersive viewing experience of Post Cards from Earth at the MSG Sphere and Blue Whales: Return of the Giants in IMAX, I’ve provided crucial on-site support to camera operators, lent knowledge and expertise regarding local environment and species conditions, and have provided pre-shoot logistical fixing, vital for the success of any project.

Out of the water, I maintain and clean underwater housings, and swap media, batteries, and lens between dives, ensuring that when the moments of brilliance happen, we’ll capture it. In the water, I provide vital camera support assisting the camera operator and team to accomplish our shooting objectives no matter how ambitious. Whether it’s moving crucial tripods and lighting rigs into place for benthic shoots, coaxing animal behavior, or communicating with the topside production team via underwater comms, my participation in projects is essential to their success. While most of my work has been underwater, I provide that same crucial support for land-based projects. And most importantly, I’m an outgoing people person who likes meeting new people and excels working in a team by anticipating the needs of the project.